„Middleman” Honzy Zamojskiego w International Centre of Graphic Arts w Ljubljanie

Nevenka Šivavec – Si Nummi Immunis¹

Once upon a time, Middleman mediated in the Matter between Everyman and Neverman. The mediation was to take place in Middleman’s office, which was in the middle of an old mansion. Both had heard that Middleman was supposedly an idiot, but that he was simply the only one who could resolve the Matter. Middleman waited at his desk, leafing through the file with the information about Everyman and Neverman. Both of them were idiots in his eyes, but that was his private opinion. Everyman generally went through life quite well because, like in a medieval mystery, he moved linearly from point X to point Y, it being preordained that at the final point Y he would be offered an exit, and that this would be vertically (read transcendentally) upwards, which meant he would leave the world joyfully and absolved from all sins when the opportunity arose. Meanwhile, things were generally much trickier for Neverman: he imagined that he could do whatever he wanted, that he was a soldier of free will, so he meandered in his own particular way – a little backwards, a little forwards, a little upwards, a little downwards, and upside down, sideways and around the bends. His fate was uncertain for this reason, and it was clear from the file that at point Y (yes, that’s the one that can’t be avoided) he could only go down vertically (pencilled note in the file: Glory be to him! He should have thought of that before …).

widok wystawy „Middleman” Honzy Zamojskiego w International Centre of Graphic Arts, fot. Matevz Paternoster, dzięki uprzejmości Artysty oraz organizatorów wystawy

widok wystawy „Middleman” Honzy Zamojskiego w International Centre of Graphic Arts, fot. Matevz Paternoster, dzięki uprzejmości Artysty oraz organizatorów wystawy

widok wystawy „Middleman” Honzy Zamojskiego w International Centre of Graphic Arts, fot. Matevz Paternoster, dzięki uprzejmości Artysty oraz organizatorów wystawy

widok wystawy „Middleman” Honzy Zamojskiego w International Centre of Graphic Arts, fot. Matevz Paternoster, dzięki uprzejmości Artysty oraz organizatorów wystawy

widok wystawy „Middleman” Honzy Zamojskiego w International Centre of Graphic Arts, fot. Matevz Paternoster, dzięki uprzejmości Artysty oraz organizatorów wystawy

widok wystawy „Middleman” Honzy Zamojskiego w International Centre of Graphic Arts, fot. Matevz Paternoster, dzięki uprzejmości Artysty oraz organizatorów wystawy

Middleman pondered on it; stood up and moved first a little to the right, then a little to the left and came hurriedly back to the centre. He proceeded once more to the right, and once more to the left, only this time on his hands. He did a headstand and hopped back behind his sprawling desk. The case was actually quite simple: the difference between Everyman and Neverman lay only in the Matter. Not that Middleman knew exactly what the Matter was supposed to be, but he had been taught, and it was not hard to understand, that chaos is the opposite of cosmic order. And he was a faithful servant of the latter. Besides, he was the national champion of simple palindromes, so Middleman considered himself important and just.

On entering the mansion, Everyman and Neverman were caught by a glowing light. Middleman stood between two guards who looked exactly like him and solemnly declared: „According to the laws of cosmic order, I am inclined to believe that both of you may be fifty per cent right about the Matter, so I can only suggest a settlement and payment of court costs. However, I am also inclined to the other side, meaning that the first wins and the second is imprisoned, or conversely that the first loses his freedom and the second wins. But as I have already stated, the first option is open, if we come to a mutual understanding; and at this point, Middleman cleared his throat and gave them a fleeting wink.

widok wystawy „Middleman” Honzy Zamojskiego w International Centre of Graphic Arts, fot. Matevz Paternoster, dzięki uprzejmości Artysty oraz organizatorów wystawy

widok wystawy „Middleman” Honzy Zamojskiego w International Centre of Graphic Arts, fot. Matevz Paternoster, dzięki uprzejmości Artysty oraz organizatorów wystawy

widok wystawy „Middleman” Honzy Zamojskiego w International Centre of Graphic Arts, fot. Matevz Paternoster, dzięki uprzejmości Artysty oraz organizatorów wystawy

Everyman bowed and Neverman could barely hold back his sneer as they handed the envelopes to Middleman.

What an idiot, Everyman and Neverman blurted out to each other at the same time as they passed the door and burst out laughing.

What a pair of idiots, Middleman muttered to himself as he stashed the money away and closed the file.

^{[1] Si nummi immunis is a Latin palindrome which was popular among Roman lawyers. It means „Give me my fee, and I’ll warrant you free.”}